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Spurred by the assassination of King Rana Bahadur Shah, it established Bhimsen Thapa as the prime minister of Nepal. 1843 Pande family massacre or Parva 18 April 1843 Kathmandu: 30-40 Spurred by the investigation of the death of Bhimsen Thapa after the return of Mathbar Singh Thapa from 6 years in exile.
A full investigation took place and Dipendra was found responsible for the killing. A two-man committee comprising Chief Justice Keshav Prasad Upadhyaya and Speaker of the House Taranath Ranabhat carried out a week-long investigation concerning the massacre. [ 19 ]
South Asian cinema refers to the cinema of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka. [ 1 ] [ 2 ] [ 3 ] The broader terms Asian cinema, Eastern cinema and Oriental cinema in common usage often encompass South Asia as well as East Asia and Southeast Asia .
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' Lahore ', transl. India) is a 1989 Nepali film directed by Tulsi Ghimire under the banner of Kanchanjanga films. It starred Shrawan Ghimire, Tripti Nadakar and Tulsi Ghimire. [1] The music of the film was composed by Ranjit Gazmer. Binod Pradhan was the cinematographer. It was mostly shot in India at Namchi, South Sikkim and Darjeeling.
The first Nepali-language movie made in Nepal was Aama, which was released in 1964 produced by the Nepalese government. However, the first Nepali-language movie made by the Nepalese private sector was Maitighar, which starred Mala Sinha and was released in 1966. The first color Nepali-language movie was Kumari. [4] [5]
The staff of BossNepal wrote: "It is a good movie to catch up if you are willing to get a glimpse of what surpassed among the people of Nepal during the democratic movement". [13] The staff of La.Lit wrote: " Balidan , [...] was a tearjerker perfectly poised between the fall of Panchayat and the start of the Maoist revolution".
In 1971, a socialist government which sought to overcome the dominance of screen time in Sri Lanka by Tamil and Hindi films came to power in the country. Foreign film domination had resulted in domestically produced films being relegated to 20% of the screen time while foreign films occupied 80% (60% Tamil, 10% Hindi, 10% English).