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Song of Songs 5 (abbreviated [where?] as Song 5) is the fifth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
The original key is D major. [1] It was published in 1827 as Opus 88, No. 4, by Thaddäus Weigl. Schubert dedicated the song to the Viennese piano virtuoso Albert Sowinsky on April 24, 1827, a decade after he composed it. [2] A hymn to the art of music, it is one of the best-known songs by Schubert.
Étude Op. 25, No. 5 in E minor, is a technical study composed by Frédéric Chopin in 1837. Marking a serious departure in the expected technique developed previously, Chopin wrote this étude with a series of quick, dissonant minor seconds .
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
The Symphony No. 5 in E-flat major, Op. 82, is a three-movement work for orchestra written from 1914 to 1915 by the Finnish composer Jean Sibelius. He revised it in 1916 and again from 1917 to 1919, at which point it reached its final form.
In music, the axis system is a system of analysis originating in the work of Ernő Lendvai, which he developed in his analysis of the music of Béla Bartók.. The axis system is "concerned with harmonic and tonal substitution", [1] and posits a novel type of functional relationship between tones and chords.