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Song of Songs 5 (abbreviated [where?] as Song 5) is the fifth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
Thunderstruck is a song by Australian hard rock band AC/DC, released as the lead single from their twelfth studio album The Razors Edge (1990). It peaked at No. 4 on the Australian ARIA Singles Chart , No. 1 in Finland, and No. 5 on the US " Billboard " Album Rock Tracks chart.
Thunderstruck (song) is within the scope of WikiProject Australia, which aims to improve Wikipedia's coverage of Australia and Australia-related topics. If you would like to participate, visit the project page .
Sir Donald Francis Tovey's Essays in Musical Analysis [1] [2] are a series of analytical essays on classical music. The essays came into existence as programme notes , written by Tovey, to accompany concerts given (mostly under his own baton) by the Reid Orchestra in Edinburgh .
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale.
The original key is D major. [1] It was published in 1827 as Opus 88, No. 4, by Thaddäus Weigl. Schubert dedicated the song to the Viennese piano virtuoso Albert Sowinsky on April 24, 1827, a decade after he composed it. [2] A hymn to the art of music, it is one of the best-known songs by Schubert.
Thunderstruck may refer to: "Thunderstruck" (song), a 1990 song by AC/DC; Thunderstruck, a 2004 Australian film; Thunderstruck, a 2006 book by Erik Larson; Thunderstruck, a 2012 American film; Thunderstruck (short story collection), a 2014 short story collection by Elizabeth McCracken
Étude Op. 25, No. 5 in E minor, is a technical study composed by Frédéric Chopin in 1837. Marking a serious departure in the expected technique developed previously, Chopin wrote this étude with a series of quick, dissonant minor seconds .