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Kopitz presents the finding by the German organ scholar Johannes Quack that the letters that spell Elise can be decoded as the first three notes of the piece. Because an E ♭ is called an Es in German and is pronounced as "S", that makes E –(L)–(I)– S – E : E –(L)–(I)– E ♭ – E , which by enharmonic equivalents sounds the same ...
Short title: Untitled; File change date and time: 11:44, 25 July 2007: Date and time of digitizing: 11:44, 25 July 2007: Software used: LilyPond 2.10.25: Conversion program
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Violin Sonata No. 4 (also known as the Duo or Grand Duo) in A major, Op. posth. 162, D 574, for violin and piano by Franz Schubert was composed in 1817.This sonata, composed one year after his first three violin sonatas, was a much more individual work, showing neither the influence of Mozart, as in these previous works, nor of Rossini, as in the contemporaneous 6th Symphony.
1978-1979: Schubert: Music for Violin and Piano. Szymon Goldberg (violin) and Radu Lupu (piano). Decca;466 748-2 (2 CD box – also contains the Duo in A major, the Fantasy in C major, and a version of the Arpeggione Sonata). 2020: Schubert: 3 Violin Sonatas. Peter Sheppard Skærved (violin) and Julian Perkins (square piano). Athene Records 23208
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
Dvořák catered the sonatina to the gradually developing musical abilities of his children, especially those of his 15-year-old daughter Otilie and 10-year-old son Toník, who played piano and violin respectively. In a letter to Fritz Simrock on January 2, 1894, Dvořák conceived the piece in the following terms: "It is intended for youths ...
The published violin sonata was at least the fourth approach, and the only one to have been preserved. As Poulenc himself pointed out, he did "not like the violin in the singular". [2] The writing of the sonata was largely due to the insistence of Ginette Neveu whom he did not want to antagonize and who gave him many tips for the violin part ...