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  2. Cupid (Fifty Fifty song) - Wikipedia

    en.wikipedia.org/wiki/Cupid_(Fifty_Fifty_song)

    So Seung-geun of IZM gave "Cupid" 4.5 out of 5 stars, writing that Fifty Fifty had found their own color. [29] Music critic Kim Yoon-ha from Yes24 noted how "Cupid" highlighted the vocals, putting them to the forefront instead of considering the voice as one of several instruments, stating that this approach reminded Kim of the Korean songs of the late 2000s rather than modern K-pop. [30]

  3. Love Tune - Wikipedia

    en.wikipedia.org/wiki/Love_Tune

    Love Tune is the second extended play by South Korean girl group Fifty Fifty and first release since their re-organization as a five member group. It was released by Attrakt on September 20, 2024 and contains six tracks, including the lead single "SOS" and the pre-release single "Starry Night".

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...

  5. Category:Cupid in music - Wikipedia

    en.wikipedia.org/wiki/Category:Cupid_in_music

    Pages in category "Cupid in music" The following 7 pages are in this category, out of 7 total. ... Cupid (Fifty Fifty song) Cupid (Lloyd song)

  6. Miki Matsubara - Wikipedia

    en.wikipedia.org/wiki/Miki_Matsubara

    Miki Matsubara (松原 みき, Matsubara Miki) (28 November 1959 – 7 October 2004) was a Japanese composer, lyricist, and singer from Kishiwada, Osaka, Japan. [1] She participated in the opening and ending theme songs of the TV anime Gu-Gu Ganmo under the name "Suzie Matsubara".

  7. Cupid (Sam Cooke song) - Wikipedia

    en.wikipedia.org/wiki/Cupid_(Sam_Cooke_song)

    "Cupid" is a song by the American singer Sam Cooke, released on May 16, 1961. It charted at number 17 on the Billboard Hot 100 and number 20 on the Hot R&B Sides chart; the track performed best in the United Kingdom , peaking at number seven on the UK Singles Chart .