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Parallel key: C major: Dominant key: G minor: ... C minor is a minor scale based on C, ... Its relative major is E ...
A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. [1] [2] The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Beethoven's multi-movement works in C minor tended to have a slow movement in a contrasting major key, nearly always the subdominant of C minor's relative key (E ♭ major): A ♭ major, providing "a comfortingly cool shadow or short-lived respite", [9] but also the relative key (E ♭ major, Op. 1/3), the tonic major (C major, Opp. 9/3, 18/4 ...
Its relative minor is A minor and its parallel minor is C minor. ... American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, ...
Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale ...
Tonic and tonic counter parallel in C major: CM and Em chords Play ⓘ. Tonic and tonic counter parallel in C minor: Cm and A ♭ M chords Play ⓘ. Contrast chord example Play ⓘ: C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in ...
Going counter-clockwise from C results in lowering the fourth scale degree with each successive key (starting on F requires a B ♭ to form a major scale). Each major key has a relative minor key that shares the same key signature. The relative minor is always a minor third lower than its relative major.