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Cassette decks soon came into widespread use and were designed variously for professional applications, home audio systems, and for mobile use in cars, as well as portable recorders. From the mid-1970s to the late 1990s the cassette deck was the preferred music source for the automobile.
Marino Ludwig, designer of the Revox B77 reel-to-reel recorder, [3] examined the best cassette decks on the market and advised Studer on a course of action. [2] Studer agreed with the proposal and appointed Ludwig chief of the cassette project, on the condition that the reputation of Studer and Revox brands would not be compromised in any way. [2]
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.
The Dragon cassette deck used a special circuit for azimuth adjustment called "Nakamichi Automatic Azimuth Correction" (NAAC) to find the best sound for each recorded cassette tape, however because it was both expensive to manufacture and more complex as well as difficult to both service and maintain, Nakamichi sought to produce a new deck with ...
Through the 1980s and 1990s, Sony created many versions and variations in the cassette tape Walkman line [4] such as the DD series and WM series. Below is an incomplete list of cassette tape based Walkman models. Sony Walkman TPS-L2, from 1979. Sony Walkman WM-F15, released 1984. Sony Walkman WM-28, early 1980s Sony Walkman WM-F77, Circa 1986.
At Japan's Tokyo Audio Fair in October, Luxman showed prototypes of the X-3K [6] Cassette deck, X-2A PCM encoder/decoder [7] and X-1D [8] vertical loading CD player also rebadged in Alpine brand-form. These were never put into production. 1983 – K-05 Computer tuning cassette deck launched. [9] Luxman's first CD player was the DX-104 [10 ...