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  2. Stone veneer - Wikipedia

    en.wikipedia.org/wiki/Stone_veneer

    Most exterior veneer systems hang stone from a support wall by pins and anchors allowing air space between, essentially using stone as a rain screen. Anchorage systems are superior for exterior use because they permit any water that permeates the veneer to escape, while air space allows the materials of the supporting substrate wall to expand ...

  3. Decorator Furlow Gatewood Gives an Old Southern Gothic Home a ...

    www.aol.com/lifestyle/decorator-furlow-gatewood...

    The decorator liked its “rusticated” faux stone exterior so much that he asked his contractor to reproduce its texture with beveled wood in the hall. ... white tole fronds on the walls made ...

  4. Formstone - Wikipedia

    en.wikipedia.org/wiki/Formstone

    Formstone is only waterproof as long as it does not deteriorate and separate from the wall. Another preservation issue stems from the application of the Formstone. When it was applied to the exterior façade of a building, historically significant architectural features were often covered up or removed.

  5. Artificial stone - Wikipedia

    en.wikipedia.org/wiki/Artificial_stone

    Artificial stone is a name for various synthetic stone products produced from the 18th century onward. Uses include statuary, architectural details, fencing and rails, building construction, civil engineering work, and industrial applications such as grindstones .

  6. Rustication (architecture) - Wikipedia

    en.wikipedia.org/wiki/Rustication_(architecture)

    Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]

  7. Faux painting - Wikipedia

    en.wikipedia.org/wiki/Faux_painting

    Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.