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It is among the oldest known embroidery styles in Chinese embroidery history. Its raw materials are satin and colored silk, its craftsmanship painstaking and refined. The emphasis is on even stitching, delicate coloration, and local flavor. Sichuan embroidery is used to decorate quilt covers, pillowcases, garments, shoes and painted screens.
Hebron, known for its vivid cross-stitch designs on thick linen, exhibits a strong aesthetic with rich reds and greens that represent a bond with the land and local traditions. [3] In addition to adding beauty to the clothing, the tatreez of each region is a form of identity and expression passed down through the generations, reflecting the ...
Prior to the stitching process, a shape was drawn onto the fabric by a skilled artist. Designs incorporating natural themes such as birds or flowers were most common. [9] Surface satin stitch, worked only on the upper surface, is a more economical but looser technique, vulnerable to wear, and so is mainly used for special occasions.
Sichuan embroidery is one of the so-called "four great embroideries of China" along with Cantonese embroidery, Suzhou embroidery and Xiang embroidery.Throughout its history, Sichuan embroidery developed a quality of being smooth, bright, neat, and influenced by its own geographical environment, various customs and cultures, with significant foreign influences being Sasanian, Sogdian and ...
The chain stitch (Persian: gulab-duzi) was used in many types of Persian embroidery, most notably in the regional Rasht embroidery. [4] The embroidery featuring metal tinsel in tulle (Persian: naghdeh-duzi) is a common technique of the Jews of Iran.
Cross-stitch was not used much, the women preferring patchwork patterns of diamond and rectangular shapes, as well as other embroidery techniques. [39] [40] In the 1860s, H.B. Tristram described costumes in the villages of El Bussah and Isfia as being either "plain, patched or embroidered in the most fantastic and grotesque shapes". [41]