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The Saint-Gall Cantatorium is the earliest surviving cantatorium of Gregorian chant. It was produced around 922–926 in the Abbey of Saint Gall [ 1 ] and is still held in the abbey library. [ 2 ]
Gregorio is a free and open-source scorewriter computer program especially for Gregorian chant in square notation. Gregorio was adopted by many abbeys and large projects. Gregorio was adopted by many abbeys and large projects.
Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western polyphony. Gregorian chant was traditionally sung by choirs of men and boys in churches, or by women and men of religious orders in their chapels. It is the music of the Roman Rite, performed in the Mass and the monastic Office ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Universal Music, UCJ Music, London Recordings, Decca, Oehms Classics, Preiser Records, Obsculta Music Musical artist The Cistercian Monks of Stift Heiligenkreuz is the artistic name of the Choralschola of Cistercian monks from the Lower Austrian abbey Heiligenkreuz who have so far recorded six CDs of Gregorian chant that have attracted the ...
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel , the chants in the Liber Usualis originated in the 11th century.
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.