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Google Fonts (formerly known as Google Web Fonts) is a computer font and web font service owned by Google. This includes free and open source font families, an interactive web directory for browsing the library, and APIs for using the fonts via CSS [ 2 ] and Android . [ 3 ]
Noto, a family of fonts designed by Google: nearly 64,000 glyphs as of 2018. PragmataPro, a modular monospaced font family designed by Fabrizio Schiavi, Regular version includes more than 7000 glyphs; Squarish Sans CT v0.10 (1,756 glyphs; Latin, Greek, Cyrillic, Hebrew, and more) STIX (especially mathematics, symbols and Greek, see also XITS)
Product Sans is a contemporary geometric sans-serif typeface created by Google for branding purposes. [2] [3] It replaced the old Google logo on September 1, 2015.As Google's branding was becoming more apparent on multiple device types, Google sought to adapt its design so that its logo could be portrayed in constrained spaces and remain consistent for its users across platforms.
The ChromeOS core fonts, also known as the Croscore fonts, are a collection of three TrueType font families: Arimo (), Tinos and Cousine ().These fonts are metrically compatible with Monotype Corporation’s Arial, Times New Roman, and Courier New, the most commonly used fonts on Microsoft Windows, for which they are intended as open-source substitutes.
fonts.google.com /specimen /Open+Sans Open Sans is an open source humanist sans-serif typeface that was designed by Steve Matteson under commission from Google . It was released in 2011 and is based on his earlier design called Droid Sans , which was specifically created for Android mobile devices but with slight modifications to its width.
Noto is a font family designed to cover all the scripts encoded in the Unicode standard. It is designed with the goal of achieving visual harmony (e.g., compatible heights and stroke thicknesses) across multiple languages/scripts. Commissioned by Google, the font is licensed under the SIL Open Font License. [5]
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Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his colleagues tried to strictly invert the contrast of a conventional Didone font and interpolate the two for the low-contrast slab serif.