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It is widely used in qawwali, kirtan, lavani and bhangra.It was formerly used in classical dance. Indian children sing and dance to it during pre-wedding festivities. It is often used in Filmi Sangeet (Indian film music), in chutney music, chutney-soca, baitak gana, taan singing, bhajans, and the local Indian folk music of Jamaica, Suriname, Guyana, Caribbean, South Africa, Mauritius, and ...
The folk songs sung in Uttarakhandi music include the dhol damau, Turri, ransingha, dholki, daur, thali, bhankora and mashakbaja. Tabla and harmonium are also sometimes used, especially in recorded folk music from the 1960s onwards. In recent years, Uttarakhandi folk songs have transformed.
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term dhol is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left-hand tabla drum. The typical sizes of the drum vary slightly from region to region.
Chhandh: evolved from poetry, songs of joy; Sitthniyan (taunts) Song sung when the bridegroom's procession is being welcomed; Song sung when the wari, or gifts from the bridegroom's side, are being exhibited; Song sung when the groom's party sits down to the meal; Song sung when the daaj, dowry or the bridal gifts, are being displayed; Others
Lavani is a genre of music popular in Maharashtra, India. [1] Lavani is a combination of traditional song and dance, which particularly performed to the beats of Dholki, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre. [2]
There are two types of Tamasha: dholki bhaari and the older form, sangeet baari which contains more dance and music than drama. In Maharashtra, the Kolhati groups are traditionally associated with the performance of Tamasha.
Thus the songs of Uttarakhand are a true reflection of the cultural heritage and the way people live their lives in the Himalayas. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masak baja. Tabla and harmonium are also used but to a lesser extent.
Pami Bai is an adept of Punjabi folk music and his songs include the traditional music instruments of toomba, algoza, toombi, sarangi, wanjli, bugdu, been, dhadd, dholki, dhol, ghara, chimta, dafli and dhoru. [7] [13] His songs include various Bhangra forms like Jhoomar, Malwai, Giddha, Dhandas.