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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011 [update] , digital audio converter technology is limited to an SNR of about 123 dB [ 12 ] [ 13 ] [ 14 ] ( effectively 21 bits) because of real-world limitations in integrated circuit design.

  3. List of software-defined radios - Wikipedia

    en.wikipedia.org/wiki/List_of_software-defined...

    16 Yes 25 Msps for 16-bit samples; 50 Msps for 8-bit samples 0.5 ppm TCXO. 0.01 ppm w/ GPSDO Option Gigabit Ethernet Yes Yes Yes Xilinx Spartan 3A-DSP 1800 USRP N210 [127] Pre-built DC – 6 GHz Up to 25 MHz (40 MHz b/w cards limited by GigE interface) [126] 14 16 Yes 25 Msps for 16-bit samples; 50 Msps for 8-bit samples 0.5 ppm TCXO.

  4. Signal-to-noise ratio - Wikipedia

    en.wikipedia.org/wiki/Signal-to-noise_ratio

    The SNR values are given for the rectangular region on the forehead. The plots at the bottom show the signal intensity in the indicated row of the image (red: original signal, blue: with noise). Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background ...

  5. Peak signal-to-noise ratio - Wikipedia

    en.wikipedia.org/wiki/Peak_signal-to-noise_ratio

    Typical values for the PSNR in lossy image and video compression are between 30 and 50 dB, provided the bit depth is 8 bits, where higher is better. The processing quality of 12-bit images is considered high when the PSNR value is 60 dB or higher. [3] [4] For 16-bit data typical values for the PSNR are between 60 and 80 dB.

  6. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    The 16-bit compact disc has a theoretical undithered dynamic range of about 96 dB; [20] [d] however, the perceived dynamic range of 16-bit audio can be 120 dB or more with noise-shaped dither, taking advantage of the frequency response of the human ear. [21] [22]

  7. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The DVD-Audio format uses standard, linear PCM at variable sampling rates and bit depths, which at the very least match and usually greatly surpass those of standard CD audio (16 bits, 44.1 kHz). In the popular Hi-Fi press, it had been suggested that linear PCM "creates [a] stress reaction in people", and that DSD "is the only digital recording ...

  8. High-resolution audio - Wikipedia

    en.wikipedia.org/wiki/High-resolution_audio

    High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.

  9. Oversampling - Wikipedia

    en.wikipedia.org/wiki/Oversampling

    As a result, the SNR increases by . For instance, to implement a 24-bit converter, it is sufficient to use a 20-bit converter that can run at 256 times the target sampling rate. Combining 256 consecutive 20-bit samples can increase the SNR by a factor of 16, effectively adding 4 bits to the resolution and producing a single sample with 24-bit ...