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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011 [update] , digital audio converter technology is limited to an SNR of about 123 dB [ 12 ] [ 13 ] [ 14 ] ( effectively 21 bits) because of real-world limitations in integrated circuit design.

  3. Media Vision Pro AudioSpectrum - Wikipedia

    en.wikipedia.org/wiki/Media_Vision_Pro_AudioSpectrum

    To provide true compatibility with the Sound Blaster's 8-bit playback on its 8-bit Pro AudioSpectrum Plus and 16-bit Pro AudioSpectrum 16, Media Vision included the same sound processor chip it used on its Thunder Board card. Thus, there were actually two digital audio playback devices on these cards that could also be used at the same time.

  4. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The DVD-Audio format uses standard, linear PCM at variable sampling rates and bit depths, which at the very least match and usually greatly surpass those of standard CD audio (16 bits, 44.1 kHz). In the popular Hi-Fi press, it had been suggested that linear PCM "creates [a] stress reaction in people", and that DSD "is the only digital recording ...

  5. Sound Blaster Audigy - Wikipedia

    en.wikipedia.org/wiki/Sound_Blaster_Audigy

    The Audigy SE (SB0570) and Audigy Value (SB0570) are stripped down models, with a less expensive CA0106 audio-controller in place of the EMU10k2. With the CA0106, the SE/Value are limited to software-based EAX 3.0 (upgraded to software-based EAX 4.0 with a driver update), no advanced resolution DVD-Audio Playback, and no Dolby Digital 5.1 or Dolby Digital EX 6.1 playback.

  6. Sound Blaster Live! - Wikipedia

    en.wikipedia.org/wiki/Sound_Blaster_Live!

    The Sound Blaster Live! 24-bit (SB0410) was not actually a member of the Sound Blaster Live! family, because it lacked the EMU10k1/10k2 processor. It was a stripped-down version of the Audigy Value, with an SNR of 100 dB, software based EAX, no advanced resolution DVD-Audio Playback, and no Dolby Digital 5.1 or Dolby Digital EX 6.1 playback.

  7. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    In modern recording, this range is often limited through dynamic range compression, which allows for louder volume, but can make the recording sound less exciting or live. [50] The dynamic range of music as normally perceived in a concert hall does not exceed 80 dB, and human speech is normally perceived over a range of about 40 dB. [28]: 4

  8. Apple Lossless Audio Codec - Wikipedia

    en.wikipedia.org/wiki/Apple_Lossless_Audio_Codec

    ALAC supports up to 8 channels of audio at 16, 20, 24 and 32 bit depth with a maximum sample rate of 384 kHz. ALAC data is frequently stored within an MP4 container with the filename extension.m4a. This extension is also used by Apple for lossy AAC audio data in an MP4 container (same container, different audio encoding).

  9. Signal-to-noise ratio - Wikipedia

    en.wikipedia.org/wiki/Signal-to-noise_ratio

    The SNR values are given for the rectangular region on the forehead. The plots at the bottom show the signal intensity in the indicated row of the image (red: original signal, blue: with noise). Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background ...