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The María Clara gown, historically known as the traje de mestiza during the Spanish colonial era, [1] [2] is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the baro't saya .
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
Today, this type of clothing is now called as the "Maria Clara" dress, named after the character of Maria Clara from Dr. Jose Rizal's novel Noli Me Tangere who became a symbol of the traditional Filipino woman, known as modest, elegant and conservative. .
It is a common formal or semi-formal attire in Filipino culture, and is worn untucked over an undershirt with belted trousers and dress shoes. Baro't saya is the feminine equivalent of barong tagalog, with the Maria Clara gown being the formal variant of the latter. [1] Barong tagalog was also known as camisa fuera ("outer shirt") in Philippine ...
Jose "Pitoy" Reyes Moreno Jr. (25 February 1925 [1] – 15 January 2018) [2] was a Filipino fashion designer and one of the earliest advocates of the Maria Clara gown.He is much regarded by the Asian fashion field as the Fashion Czar of Asia.
The name of the dress is an eponym to María Clara, the mestiza heroine of Filipino hero José Rizal's novel Noli Me Tangere (Latin for "Touch Me Not"). [2] The woman's clothing in the painting is the reason why the masterpiece is alternately referred to as María Clara. It is one of the few canvases done by Luna illustrating Filipino culture.
For Maria Sharapova's Met Gala dress, designer Prabal Gurung found inspiration in both this year's Costume Institute exhibit and the evening's dress code.
María Clara de los Santos is a fictional character in José Rizal's novel Noli Me Tángere (1887). The beautiful María Clara is the childhood sweetheart and fiancée of the protagonist, Crisóstomo Ibarra , who returns to his Filipino hometown of San Diego to marry her.