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The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
The following is a list of examples of various types of Baroque architecture since its origins. Building Picture Location Date Architect(s) St Peter's Basilica:
The painting is a classic example of Baroque art. Orazio Gentileschi , David and Goliath (c. 1605–1607) Baroque painting is the painting associated with the Baroque cultural movement .
One of several versions, one of which is Caravaggio's earliest known work [10] [11] [9] [12] c. 1592–1593: Boy Peeling Fruit: London, The Dickinson Group 64.2 × 51.4 cm Oil on canvas: One of several versions, one of which is Caravaggio's earliest known work [13] c. 1592–1599: Portrait of a Prelate [14] Italy, Private Collection 68 × 53 cm ...
Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]
The term "Baroque" may still be used, often pejoratively, describing works of art, craft, or design that are thought to have excessive ornamentation or complexity of line. [169] At the same time "baroque" has become an accepted terms for various trends in Roman art and Roman architecture in the 2nd and 3rd centuries AD, which display some of ...
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.