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A choir (/ ˈ k w aɪər / KWIRE), also known as a chorale or chorus (from Latin chorus, meaning 'a dance in a circle') is a musical ensemble of singers. Choral music , in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble.
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
A men's chorus from the 1940s or 1950s. Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (), in which singing provides the main focus of the piece.
The Choir of the French Army at the Lons-le-Saunier Theater.. A men's chorus or male voice choir (MVC) (German: Männerchor), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors (1st and 2nd tenor), and high and low basses (1st and 2nd bass; or baritone and bass)—and shortened to the letters TTBB.
According to BHS, the ideal balance in a chorus is about 40% bass, 30% lead, 20% baritone and 10% tenor singers. [35] Filling the gap between the chorus and the quartet is what is known as a VLQ or Very Large Quartet, in which more than four singers perform together, with two or more voices on some or all of the four parts.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
The mezzo-soprano voice lies between the soprano voice and contralto voice, over-lapping both of them. The typical range of this voice is between A3 (the A below middle C) to A5 (two octaves higher). In the lower and upper extremes, some mezzo-sopranos may extend down to F3 (the F below middle C) and as high as C6 (high C). [6]
One might say that this conclusion remains within the persona of Faust and his imagination". [64] When Liszt rethought the piece three years later, he added a "Chorus mysticus", the male chorus singing the final words from Goethe's Faust. [64] The tenor soloist, accompanied by the chorus, sings the last two lines of the text.