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Sub-Saharan African rhythm is divisive rhythm. However, perhaps because of their seemingly asymmetric structure, bell patterns are sometimes perceived in an additive rhythmic form. For example, Justin London describes the five-stroke version of the standard pattern as "2-2-3-2-3", [ 39 ] while Godfried Toussaint describes the seven-stroke form ...
Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit.
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.
Funde: The funde is the middle drum. It maintains the rhythms, on 2 and 4. It is held on the floor between the knees and played with the palms. Repeater: The repeater or kete, is the smallest and highest pitched drum. It is somewhat of a single elongated bongo. The drummer tends to play around 2 and 4, with a syncopated, rather than a backbeat ...
While many scholars and journalists use Bongo Flava and Hip Hop interchangeably, distinctions are made by many Bongo Flava and Hip Hop artists. [9] [10] Bongo flava borrows from Tanzanian hip hop, with fast rhythms and rhymes in Swahili. The name "Bongo Flava" comes from the Swahili word for brains: ubongo. Bongo is the nickname of Dar es Salaam.
The first ethnologists to work with the Bongo language were John Petherick, who published Bongo word lists in his 1861 work, Egypt, the Soudan, and Central Africa; Theodor von Heuglin, who also published Bongo word lists in Reise in das Gebiet des Weissen Nil, &c. 1862-1864 in 1869; and Georg August Schweinfurth, who contributed sentences and vocabularies in his Linguistische Ergebnisse, Einer ...
Bongo Flava is one of the newer Tanzanian genres, developed in the 1990s, and is a fusion genre. It is a continuation of muziki wa kizazi kipya, meaning "Music of the new generation" of the late '80s and early '90s. [11] At its inception, bongo flava was more heavily influenced by US hip-hop and reggae, fused with Tanzanian music styles. [6 ...
A composer and drummer, Costanzo is best known for having been a bongo player, and was nicknamed "Mr. Bongo". He visited Havana three times in the 1940s and learned to play Afro-Cuban rhythms on the bongos and congas. Costanzo started as a dancer, touring as a team with his wife before World War II.