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The two–Mona Lisa theory is a longstanding theory proposed by various historians, art experts, and others that Leonardo da Vinci painted two versions of the Mona Lisa. [2] [3] [4] Several of these experts have further concluded that examination of historical documents indicates that one version was painted several years before the second.
The theory that the Mona Lisa was a self-portrait by Leonardo was first proposed in 1987 by Lillian Schwartz, an artist and computer technician.Shwartz noted the similarities in the shapes of the facial features of the painting with those of the drawing popularly believed to be a self-portrait of Leonardo, and theorized that the Mona Lisa may have been a self-portrait in drag. [2]
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
Konody observed of the Isleworth subject that "[t]he head is inclined at a different angle". [29] Physicist John F. Asmus, who had previously examined the Mona Lisa in the Louvre and investigated other works by Leonardo, published a computer image processing study in 1988 concluding that the brush strokes of the face in the painting were performed by the same artist responsible for the brush ...
Using X-rays to peer into the chemical structure of a tiny speck of the celebrated work of art, scientists have gained new insight into the techniques that Leonardo da Vinci used to paint his ...
A new study found a rare compound called plumbonacrite within the “Mona Lisa,” suggesting Leonardo da Vinci may have been the first to use a technique previously found in later paintings.
Isbouts presented a theory that the Isleworth Mona Lisa is an earlier work by Leonardo, and is the original portrait of the Florentine subject, "while the Mona Lisa in the Louvre is an allegorical representation of the Madonna Annunziata". [23] He further noted that "24 of 27 recognised Leonardo scholars have agreed this is a Leonardo". [21]
Leonardo da Vinci’s Mona Lisa — one of the most famous paintings in the world — is shrouded in mystery; from questions around the figures identity, to her puzzling, enigmatic expression.