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Lucrezia Borgia was born on 18 April 1480 at Subiaco, near Rome. [2] Her mother was Vannozza dei Cattanei, one of the mistresses of Lucrezia's father, Cardinal Rodrigo de Borgia (later Pope Alexander VI).
Lucrezia or Lucrecia may refer to: Lucrezia (given name): an Italian name, feminine of the Roman name Lucretius. The etymological origin of the name is debatable, but is thought to come from the Latin lucrum, meaning "profit, wealth". Other sources believe it may be of Etruscan origin, though its original meaning has been lost.
The story of Lucretia was a popular moral tale in the later Middle Ages. Lucretia appears to Dante in the section of Limbo, reserved for the nobles of Rome and other "virtuous pagans", in Canto IV of the Inferno. Christine de Pizan used Lucretia, just as St. Augustine of Hippo did, in her City of Ladies, defending a woman's sanctity.
La Belle Ferronnière (French pronunciation: [la bɛl fɛʁɔnjɛʁ]) is a portrait painting of a lady, by Leonardo da Vinci, in the Louvre.It is also known as Portrait of an Unknown Woman.
Lucrecia Pérez Sáez is a Spanish-Cuban singer and actress. She has worked in various movies and with several long established artists, including Celia Cruz , Chavela Vargas , Joaquín Sabina , Andy Garcia , Manzanita and Lluís Llach .
Prominent Paris-based producer Marianne Slot, who has been instrumental to bringing works by auteurs such as Lars Von Trier, Lucrecia Martel, and Argentina’s Lisandro Alonso to the big screen ...
French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
A famous performance of Lucrezia Borgia presented by the American Opera Society Ensemble in 1965 at Carnegie Hall with soprano Montserrat Caballé, who was making her American debut, was soon followed by a recording featuring Caballé, Shirley Verrett, Alfredo Kraus, and Ezio Flagello, conducted by Jonel Perlea, who also led the Carnegie Hall performance.