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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
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A subsequent notice linked to an example of micropoetry by another user, which was clearly lyrical but didn't appear to fit any preexistent form such as haiku or tanka. While short poems are most associated with the haiku , the emergence of microblogging sites in the 21st century created a modern venue for epigrammatic verse.
I Never Saw Another Butterfly is also the name of a full length play and a one-act version by Celeste Raspanti. [5] She based the play on a book of poetry and drawings made by the children of Terezin. The play centers on Raja Englanderova, one of the children who survived Terezin, and her family, friends, and classmates.
He was struck by her unusual beauty, and the next morning the poem was written. [3] It is thought that she was the first inspiration for his unfinished epic poem about Goethe, a personal hero of his. In this unpublished work, which Byron referred to in his letters as his magnum opus, he switches the gender of Goethe and gives him the same ...
We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as "one of the most celebrated examples of jazz poetry". [1] [2] [3]
Clough published the poem without a title in 1862. [1] In The Poems and Prose Remains of Arthur Hugh Clough, 1869, the poem was titled "Say Not the Struggle Nought Availeth". [1] There was probably no specific event in the poet's mind, although the failed revolutions of 1848 and 1849 may have been an inspiration. [1] [2]