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According to William Shepard Walsh, "There is a faint anticipation in William Wycherley's Double Dealer, "and libels everybody with dull praise," but a closer parallel is in Phineas Fletcher: When needs he must, yet faintly then he praises, Somewhat the deed, much more the means he raises: So marreth what he makes, and praising most, dispraises.
The Routledge Dictionary of Literary Terms. Routledge, 2005. ISBN 0-415-34017-9. J. A. Cuddon. The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
The last line of a paragraph continuing on to a new page (highlighted yellow) is a widow (sometimes called an orphan). In typesetting, widows and orphans are single lines of text from a paragraph that dangle at either the beginning or end of a block of text, or form a very short final line at the end of a paragraph. [1]
Synonymia: use of two or more synonyms in the same clause or sentence. Tautology: redundancy due to superfluous qualification; saying the same thing twice. Tmesis: insertions of content within a compound word. Tricolon diminuens: combination of three elements, each decreasing in size.
The golden line is variously defined, but most uses of the term conform to the oldest known definition from Burles' Latin grammar of 1652: [2] "If the Verse does consist of two Adjectives, two Substantives and a Verb only, the first Adjective agreeing with the first Substantive, the second with the second, and the Verb placed in the midst, it is called a Golden Verse: as,
Lines of ten or twelve syllables are more common in rhymed verse; versi sciolti, which rely more heavily on a pleasant rhythm for effect, tend toward a stricter eleven-syllable format. As a novelty, lines longer than twelve syllables can be created by the use of certain verb forms and affixed enclitic pronouns ("Ottima è l'acqua; ma le piante ...