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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Tercet (or triplet): a unit of three lines, rhymed (AAA) or unrhymed, often repeating like the couplet. Triolet: an 8-line stanza with only two rhymes, repeating the 1st line as the 4th and 7th lines, and the 2nd line as the 8th (ABaAabAB, capital letters indicating lines repeated verbatim).
According to William Shepard Walsh, "There is a faint anticipation in William Wycherley's Double Dealer, "and libels everybody with dull praise," but a closer parallel is in Phineas Fletcher: When needs he must, yet faintly then he praises, Somewhat the deed, much more the means he raises: So marreth what he makes, and praising most, dispraises.
Purple prose is criticized for desaturating the meaning in an author's text by overusing melodramatic and fanciful descriptions. As there is no precise rule or absolute definition of what constitutes purple prose, deciding if a text, passage, or complete work has fallen victim is subjective.
Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
In 2008, it modified its position on sentence spacing to the following: In an earlier era, writers using a typewriter commonly left two spaces after a period, a question mark, or an exclamation point. Publications in the United States today usually have the same spacing after concluding punctuation marks as between words on the same line.
This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. [3] An example of a feminine caesura is the opening line of the Odyssey:
"All work and no play makes Jack a dull boy" is an old proverb that means without time off from work, a person becomes both bored and boring. It is often shortened to "all work and no play". [ 1 ] It was newly popularized after the phrase was featured in the 1980 horror film, The Shining .