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Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to speech.
Song of the Wind may refer to: "Song of the Wind", a song by Chick Corea from the album Piano Improvisations Vol. 1, 1971; Song of the Wind, an alternate title for the Joe Farrell album Joe Farrell Quartet, 1970 "Song of the Wind", a song by Santana from Caravanserai (album), 1972
The song features the fusion of various musical cultures including Carnatic, Folk, Acoustic, Sufi, Rock and Rap. The Lyrics of the song was written by the popular politician M. Karunanidhi and composed by A. R. Rahman .
The majority of the songs are sung to Murugan, but there are also a few songs that sing of deeds of Shiva or the avatars of Vishnu, and of the power of Parvati. Almost all songs end addressing Murugan as Perumal, a term that traditionally had strong associations with Tamil Vaishnavism. However the literal meaning in Tamil of the word Perumal is ...
Zubeen Garg (born 18 November 1972), his contributions are mostly attributed in Assamese, Bengali and Hindi films and music. Garg has recorded more than 38,000 songs in 40 different languages in the past 32 years. [1] [2] He records more than 800 songs every year [3] [4] and has recorded 36 songs in a night. [5] [6]
The song works big time because of the catchy colloquial lyrics nicely blended with beautiful lyrics taking a time slice view of love - yesterday, today and tomorrow. Interesting construction." [13] Kaushik L.M of Behindwoods reviewed the song and wrote "The guitar notes are a beautiful backdrop to this cute number which has a simple tune ...
The Tirumurukarruppatai has 312 akaval meter verses, states Zvelebil. [6] According to Francis, the critical editor has 317 verses. [7] It describes the beauty and the warrior nature of Murugan, six sacred shrine regions of Murugan, legends such as the killing of Surapadma, his six faces and the twelve arms along with their functions.
In a review for AllMusic, William Ruhlmann called the album "a varied, jazz-oriented session that was one of [Carlos Santana's] more pleasant excursions from the standard Santana sound." [ 4 ] Rob Caldwell of All About Jazz stated that the album "hangs together remarkably well and still sounds fresh," and praised the "exemplary accompanying ...