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The discography of the Animals, an English music group of the 1960s formed in Newcastle upon Tyne, contains 20 studio albums, six compilation albums, five EPs and 25 singles. Featuring a gritty, bluesy sound and a deep-voiced frontman in Eric Burdon , they are best known for their rendition of an American folk song " The House of the Rising Sun ...
The Best of The Animals is the first greatest hits collection by the British rock group the Animals. MGM Records released the album in February 1966 in the United States. It showcases the Animals' tough-edged pop hits combined with their more devoted blues and R&B workouts.
I Used to Be an Animal, but I'm All Right Now. Faber and Faber, 1986. ISBN 0-571-13492-0. Burdon, Eric (with J. Marshall Craig). Don't Let Me Be Misunderstood: A Memoir. Thunder's Mouth Press, 2001. ISBN 1-56025-330-4. Egan, Sean. Animal Tracks: Updated and Expanded: The Story of The Animals, Newcastle's Rising Sons. Askill Publishing, 2012.
AllMusic [1] Absolute Animals 1964–1968 is a compilation album of The Animals, released in 2003 and which features many of their hits. [2]
The Greatest Hits of Eric Burdon and The Animals was the group's compilation representing the Animals' last three lineups, and showcased their venture into psychedelic rock. [ 1 ] [ 2 ] It was released in March 1969 in the US but never put out in the United Kingdom ; [ 3 ] it was the last album MGM Records would release in (more or less) the ...
The Most of the Animals is the title of a number of different compilation albums by the British blues rock group the Animals. Although track listing varies, all feature only songs from 1964 and 1965. The title is derived from the name of their then producer Mickie Most (see also The Most of Herman's Hermits).
Image credits: sencerb88 “There is no universally agreed-on test for "intelligence" across species, but we think of crows and some other animals as particularly smart because they can approach ...
Bruce Eder of AllMusic judged it "just short of a lost classic." However, record company promotion for the album was weak, no tour was held, and the sound was out of time with the popularity of disco and punk rock ; it thus reached only No. 70 on the U.S. pop albums chart , No. 24 in Netherlands and did not chart at all in the UK.