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Altman later decided that the song worked so well he would use it as the film's main theme. This more choral version was sung by uncredited session singers John Bahler, Tom Bahler, Ron Hicklin, and Ian Freebairn-Smith, and was released as a single attributed to "The Mash". Altman said that, while he only made $70,000 for directing the movie ...
The theme for "Friends" was written & recorded specifically for the show. It was later re-written and re-recoded into a full length song, rather than the 15 second "intro" it started life as. On the other hand the theme for "Charmed" was already a full length track, and was adopted/adapted to become the theme tune.
Johnny Mandel, the Oscar- and Grammy-winning songwriter of “The Shadow of Your Smile,” “Emily” and the theme from “MASH,” has died. “I was so sad to learn that a hero of mine, Johnny ...
A mashup (also mesh, mash up, mash-up, blend, bastard pop [1] or bootleg [2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]
On Monday, Jan. 1, M*A*S*H fans are invited to ring in the new year with M*A*S*H: The Comedy That Changed Television, a two-hour special airing on Fox and featuring new interviews with series vets ...
The song was released as a single on Gary S. Paxton's Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The "Monster Mash" single was number one on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween.
On theme with many of Swift’s surprise song mash-ups, both breakup tracks tell the story of realizing a relationship was not what it seemed on the surface. 'Forever & Always' and 'Maroon ...
Thomas Joseph Tedesco (July 3, 1930 – November 10, 1997) was an American guitarist and studio musician in Los Angeles and Hollywood. [1] He was part of the loose collective of the area's leading session musicians later popularly known as The Wrecking Crew, who played on thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits.