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Notable 19th-century oil paintings include Basi Revolt paintings, Sacred Art of the Parish Church of Santiago Apostol (1852), Spoliarium (1884), La Bulaqueña (1895), and The Parisian Life (1892). [230] A notable modern painting s The Progress of Medicine in the Philippines (1953). [230] After World War II, paintings were influenced by the ...
Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Filipino Struggles Through History, alternatively known as the History of Manila is a series paintings which depicts select events from Philippine history. [6] It composes of 10 canvas panels collectively measuring 2.7 meters (8.9 ft) high and 79.4 meters (260 ft) wide.
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.
By winning in international exhibitions through La barca de Aqueronte and his other paintings Las Virgenes Cristianas Expuestas al Populacho and Adios del Sol during the last quarter of the nineteenth century, Hidalgo's "mark of having arrived as a painter" and his place in Philippine art and the "popular mind" became secured. [7]
Hernando Ruiz Ocampo was a leading radical modernist artist in the Philippines.He was a member of the Saturday Group of artists (also known as the Taza de Oro Group), and was one of the pre-war Thirteen Moderns, a group of modernist artists founded by Victorio C. Edades in 1938.
The painting consists of four oil-on-canvas panels depicting medical practice in the Philippines in four historical eras. They were displayed at the lobby of the Philippine General Hospital for 58 years until their permanent relocation to the Museum Foundation of the Philippines Hall at the National Museum of the Philippines on 27 July 2011.