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By the mid-18th century, a woman took up three times as much space as a man and always presented an imposing spectacle. At their most extreme, panniers could extend the skirt several feet at each side. By the 1780s, panniers were normally worn only with very formal gowns and within court fashion. [1]
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque / Rococo style.
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 (with their relatively unconfining empire silhouette) and re-adopted elements that had been characteristic of most of the 18th century (and were to be ...
The Robe de cour, also known as robe de corpse, grand habit and grand habit de cour, was a women's fashion of 18th century Europe. It was the most formal dress model worn after 1700, when the mantua dress had replaced it in all but the most formal occasions, and continued to be worn as court dress during the entire century.
A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua , from which it evolved, [ 1 ] the back of the gown featured pleats from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt.
Arnold, Janet: Patterns of Fashion 1 (cut and construction of women's clothing, 1660–1860), Wace 1964, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 978-0-89676-026-4; Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 978-0-8109-6317-7