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When heavy metal band Kiss hired an offstage keyboardist, it was to fill in the band's sound during the live concerts with backing chords and deep bass notes. However, one of the band members felt that only guitarists should be seen on stage, due to the group's reputation as a guitar-based heavy metal band. [ 1 ]
By thinking of this blues progression in Roman numerals, a backup band or rhythm section could be instructed by a bandleader to play the chord progression in any key. For example, if the bandleader asked the band to play this chord progression in the key of B ♭ major, the chords would be B ♭-B ♭-B ♭-B ♭, E ♭-E ♭-B ♭-B ♭, F-E ...
"Sh-Boom" ("Life Could Be a Dream") is a doo-wop song by the R&B vocal group the Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954.
Jazz often features a prominent rhythm section, typically consisting of at least drums and bass, and sometimes a comping instrument such as piano or guitar.. A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band.
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
During the late Romantic period, composers explored dramatic chromatic alterations of tonality, such as extended chords and altered chords, which created new sound "colors." The late 19th century saw a dramatic expansion in the size of the orchestra, and the Industrial Revolution helped to create better instruments, creating a more powerful sound.
AllMusic's writer Stewart Mason described the song structure: "[it] opens with a mock-Spanish orchestral flourish before swinging into a more typical mid-tempo ELO rocker, driven by a battery of acoustic rhythm guitars on the verses and modulating upwards into a falsetto Jeff Lynne vocal on a chorus that’s powered by an even more prominent ...
The band is coming together." Iverson also singled out "There is a Road (God's River)", commenting: "The pianist begins with a rich rumination that evolves into a full gospel cry; nobody else can play like this. The contrasting theme, full orchestra chords behind Brown's rock guitar, is distinctive and powerful...