Ad
related to: metacritic the cure songs
Search results
Results From The WOW.Com Content Network
Songs of a Lost World is the fourteenth studio album by English rock band the Cure, released on 1 November 2024 via Fiction, [4]: 113 Lost Music, Universal, [5] Polydor, and Capitol Records. [6] It is the band's first release of new material in 16 years since the release of 4:13 Dream in 2008.
The Cure’s penchant for squalling psych-rock exorcisms reached a powerful zenith on this howl from the heart of 1992’s Wish. Almost eight minutes of typhoon rock bereft of flab or indulgence ...
The Cure—as a band, as a sound, as a concept—is bigger than the sum of its parts, even as its songs remain largely an expression of all of Smith’s passions and moods, from depression to ...
And near the end of it all, on November 1st, The Cure delivered Songs of a Lost World, released 16 years after 2008’s 4:13 Dream, and 45 years […] It would be euphemistic to say that 2024 was ...
Formed in 1976, [1] [2] [3] the Cure grew out of a band known as Malice. Malice formed in January 1976 and underwent several line-up changes and a name change to Easy Cure [4] before The Cure was founded in May 1978. The Cure's original line-up consisted of guitarist/vocalist Robert Smith, drummer Laurence "Lol" Tolhurst and bassist Michael ...
In a retrospective review for AllMusic, Stephen Thomas Erlewine gave Disintegration four-and-a-half out of five stars, and applauded the band by saying, "The Cure's gloomy soundscapes have rarely sounded so alluring [and] the songs – from the pulsating, ominous 'Fascination Street' to the eerie, string-laced 'Lullaby' – have rarely been so ...
The Cure – Songs Of A Lost World. ... The giddy-wonky, rave-influenced Brat was her second album to top the UK charts and 2024’s highest-rated record on the Metacritic website, ...
Les Inrockuptibles wrote that the album featured "endless songs" with "dated sounds". [21] AllMusic noted that although Bloodflowers contained all the Cure's musical trademarks, "morose lyrics, keening vocals, long running times", "the album falls short of the mark, largely because it sounds too self-conscious". [9]