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In brass instruments, the most common method of producing multiphonics is by simultaneously playing the instrument and singing into it. When the sung note has a different frequency than the played note (preferably within the harmonic series of the played note), several new notes that are the sums/differences of the frequencies of the sung note and the played note are produced; leading to the ...
Musicians play some string instruments, like guitars, by plucking the strings with their fingers or a plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow, like violins. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other ...
The viola (/ v i ˈ oʊ l ə / vee-OH-lə, [1] Italian: [ˈvjɔːla, viˈɔːla]) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound.
The instrument is a part of the standard orchestra, as part of the string section, and is the bass voice of the string quartet (although many composers give it a melodic role as well), as well as being part of many other chamber groups.
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
any individual melody (or voice), whether vocal or instrumental, that can be abstracted as continuous and independent from other notes being performed simultaneously in polyphony. Within the music played by a single pianist , one can often identify outer parts (the top and bottom parts) or an inner part (those in between).
The kobyz is still played today by jyrau (one of the two types of Karakalpak bard), as accompaniment during recitation of epics and dastan. [1]: 114 The kobyz punctuates spoken narrative, plays the melodic line in unison with the voice during the sung parts, supports sustained notes in the voice by repeatedly bowing the same note, and plays the melody when the jyrau is not singing.
Six-voice polyphony was standard by the mid-1980s. With the advent of digital synthesizers, 16-voice polyphony became standard by the late 1980s. 64-voice polyphony was common by the mid-1990s and 128-note polyphony arrived shortly after. There are several reasons for providing such large numbers of simultaneous notes: