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"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
I don't think the interntion was to say the melody of the song was limited to the eight notes of the diatonic scale, just that the syllables that are taught to the children in the song lyrics--do, re, mi, fa(r), so(l), la, ti and do (again)--comprise the notes of the diatonic scale and can be played on simple instruments.
(see below). The other important systems are seven-shape systems, which give a different shape and syllable to every note of the scale. Such systems use as their syllables the note names "do, re, mi, fa, so, la, ti, do" (familiar to most people due to the song "Do-Re-Mi" from The Sound of Music). A few books (e.g.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
In Indian classical music, the notes in order are: sa, re, ga, ma, pa, dha, and ni, which correspond to the Western solfege system. [ 6 ] For Han people 's music in China, the words used to name notes are (from fa to mi): 上 ( siong or shàng ), 尺 ( cei or chǐ ), 工 ( gōng ), 凡 ( huan or fán ), 六 ( liuo or liù ), 五 ( ngou or wǔ ...
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The original sequence was Ut Re Mi Fa Sol La, where each verse started a scale note higher. "Ut" later became "Do". The equivalent syllables used in Indian music are: Sa Re Ga Ma Pa Dha Ni. See also: solfège, sargam, Kodály hand signs. Tonic sol-fa is a type of notation using the initial letters of solfège.