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Justo Takayama Ukon (ジュスト高山右近), born Takayama Hikogorō (高山彦五郎) and also known as Dom Justo Takayama (c. 1552/1553 - 5 February 1615) was a Japanese Catholic daimyō and samurai during the Sengoku period that saw rampant anti-Catholic sentiment.
Sri Lanka Sinhala Cinema Database - www.films.lk; New Sinhala Films - www.sirisara.lk; New Sinhala Movies; National Film Corporation of Sri Lanka - Official Website; Sri Lankan film at the Internet Movie Database; Sandeshaya Sri Lankan Film Information and Sinhala Film Details; Watch Sinhala teledramas
Released on August 12. The film was released only through online platform "www.cinemaceylon.com" and is the first Sinhala film with a single letter title. [32] CineMa: Kapila Sooriyarachchi Shyam Fernando, Vihanga Sooriyarachchi, Nayanathara Wickramarachchi, Douglas Ranasinghe, Robin Fernando, Bimal Jayakody: Drama Released on September 2. [33]
Pages in category "Sri Lankan historical films" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. A. Aba (film)
Singapore’s Silver Media Group is teaming with U.S. companies Ford Studios and Ark Entertainment on “Samurai Saint,” an animated feature chronicling the true story of Takayama Ukon, a 16th ...
This list of the tallest statues in the Sri Lanka includes free-standing, completed statues in the Sri Lanka that are at least 5 meters (16 feet) tall. The height of these statues are measured from the top of its base/pedestal up to its maximum height (including monuments with spires or obelisks).
Released on 16 January. Represented Sri Lanka in the 1998 Singapore International Film Festival. Yuda Gini Meda: Ranjith Siriwardena Geetha Kumarasinghe, Alexander Fernando, Thilak Jayaweera, Sando Harris, Lal Senadeera, Wilson Karu, Sunil Hettiarachchi, Rathna Sumanapala: Action Released on 20 February. Aeya Obata Barai: Sunil Soma Peiris
It is still the only Sri Lankan film nominated for the Palme d'Or. Despite its critical acclaim, Rekava was not a commercial success in Sri Lanka due to its defiance of mainstream film tropes (i.e., boy-girl romance, fighting, comedy, and Hindi-language musicals). Since then, it has become one of the best-known Sinhala movies and is considered ...