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The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
A tiny half bath is adorned with a hand-painted Chinoiserie wallcovering — Fromental Rainerri — and a black marble sink that extends to the floor. The wall is angled, as is the mirror and ...
Technology and styles evolved. The decoration of some hand-painted plates and vases from the 19th century resembles oil paintings. In the later part of the 19th century china painting became a respectable hobby for middle-class women in North America and Europe. More recently interest has revived in china painting as a fine art form.
Chinoiserie is the European interpretation and imitation of Chinese and East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. [49] The aesthetic of Chinoiserie has been expressed in different ways depending on the region.
Carlton Ware concentrated on the decorative giftware end of the domestic pottery market throughout most of its career. Its earliest works included typical decal and hand-painted table-ware in a range of mostly floral patterns as well as items inspired by Wedgwood and other respected potters. During the early 1900s they became a supplier of ...