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"Farewell Angelina" has remained a continuous part of Joan Baez' concert repertoire, being recorded twice for live albums during the 1980s. The song has also been recorded by the New Riders of the Purple Sage (on Oh, What a Mighty Time), John Mellencamp (on Rough Harvest), Tim O'Brien (See Nobody Sings Dylan Like Dylan, Vol. 39, masterfully collected by Jay Ess), Show of Hands, and Danu's When ...
Farewell, Angelina is the sixth studio album by American folk singer Joan Baez, released in late 1965. ... Bruce Langhorne – electric guitar (2, 3, 6, 7, 11)
The version of the song on the album is sparsely arranged with Dylan accompanying himself on acoustic guitar and harmonica, with William E. Lee playing bass guitar. [2] Author Clinton Heylin states that the song is another of Dylan's " 'go out in the real world' songs, like " To Ramona ", though less conciliatory – the tone is crueler and ...
Farewell, Angelina" – 3:41 "Long Black Veil" (Marijohn Wilkin, Danny Dill ... Joan Baez – vocals, guitar; Everett Lilly – bass; Bob Dylan – guitar, vocals;
Farewell, Angelina [24] Forever Young [24] A Hard Rain's a-Gonna Fall [24] I Dreamed I Saw St. Augustine [23] I Pity the Poor Immigrant [23] I Shall Be Released [23] It Ain't Me Babe [23] It's All Over Now, Baby Blue [24] Lily, Rosemary and the Jack of Hearts [24] Love Is Just a Four-Letter Word [23] Love Minus Zero/No Limit [23] North Country ...
Joan Baez and Bob Dylan, August 28, 1963. The song alludes to Baez's relationship with Bob Dylan ten years previously. Although Dylan is not specifically named in the song, in the third chapter of her memoir, And a Voice to Sing With (1987), Baez uses phrases from the song in describing her relationship with Dylan, and has been explicit that he was the inspiration for the song.
Baez immediately took to the song, which was written by Dylan sometime around 1965, and began performing it, even before it was finished. [2] In the film Dont Look Back, a documentary of Dylan's 1965 tour of the UK, Baez is shown in one scene singing a fragment of the then apparently still unfinished song in a hotel room late at night. [3]
In an August 2020 interview in Rolling Stone, contemporary singer-songwriter Early James described how he had started changing the lyrics of the song, while covering it, to oppose the Confederate cause – for example, in the first verse, "where Helm sang that the fall of the Confederacy was 'a time I remember oh so well', James declared it 'a ...