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  2. Related: Wicked Review: Ariana Grande Steals the Show in an Oz-some Adaptation of the Hit Broadway Musical But the book spends much more time laying out the social, political and ethical ...

  3. The 'Wicked' movie's biggest changes from the Broadway ... - AOL

    www.aol.com/wicked-movies-biggest-changes...

    Despite its nearly three-hour runtime, “Wicked” only covers the first act of the hit Broadway musical, with a second film scheduled for release in late 2025.

  4. “Wicked” Review: Ariana Grande Steals the Show in ... - AOL

    www.aol.com/wicked-review-ariana-grande-steals...

    WickedReview: Ariana Grande Steals the Show in an Oz-some Adaptation of the Hit Broadway Musical. ... Though the events of the movie cover only the play’s first act (Part 2 hits theaters ...

  5. Review: Massive 'Wicked' movie adaptation takes its time to ...

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    The beloved Broadway musical is taken from Gregory Maguire’s 1995 novel “Wicked: The Life and Times of the Wicked Witch of the West,” a revisionist history of both Frank L. Baum’s 1900 ...

  6. 'Wicked' review: Cynthia Erivo, Ariana Grande are fantastic ...

    www.aol.com/wicked-review-cynthia-erivo-ariana...

    Chu’s movie lasts two hours and 41 minutes – almost the same runtime as the entire Broadway production (with intermission), even though it only covers the stage musical’s first act.

  7. “Wicked” review: This musical adaptation hits the right notes ...

    www.aol.com/wicked-review-musical-adaptation...

    This Wicked only covers the first half of Stephen Schwartz’s Broadway musical but begins at the end, opening with Elphaba’s death at the hands of a certain girl (and her little dog, too) and ...

  8. Wicked looks like every other film now. That’s its problem. It may be the screen adaptation of the stage musical – itself based on a 1995 novel – but, within moments, it also tethers itself ...

  9. ‘Wicked’ Review: Cynthia Erivo and Ariana Grande Give Iconic ...

    www.aol.com/wicked-review-cynthia-erivo-ariana...

    When “Wicked” debuted on Broadway in 2003, Variety’s skeptical theater critic described composer Stephen Schwartz’s revisionist take on the iconic villain as “strenuous,” “lumbering ...