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In Latin literature, Augustan poetry is the poetry that flourished during the reign of Caesar Augustus as Emperor of Rome, most notably including the works of Virgil, Horace, and Ovid. In English literature , Augustan poetry is a branch of Augustan literature , and refers to the poetry of the 18th century, specifically the first half of the ...
Augustan literature is a period of Latin literature written during the reign of Augustus (27 BC–AD 14), the first Roman emperor. [1] In literary histories of the first part of the 20th century and earlier, Augustan literature was regarded along with that of the Late Republic as constituting the Golden Age of Latin literature , a period of ...
Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post ...
The Augustan era is difficult to define chronologically in prose and poetry, but it is very easy to date its end in drama. The Augustan era's drama ended definitively with the Licensing Act 1737 . Prior to 1737, however, the English stage was changing rapidly from the Restoration comedy and Restoration drama , and their noble subjects, to the ...
The most famous piece of poetry in Augustus' time was Virgil's Aeneid, essentially narrating the birth of Rome through their founder Aeneas, a surviving Trojan warrior.. The poem is symbolic of the origin of the Roman people, and thus linking Augustus as a descendant of Aeneas, Virgil illustrated how Augustus had created a new thriving Rome and how integral he is to Roman culture
As Maltby (2021) points out, there is a neat ring-structure to the series: "The regret at hiding her passion in the concluding poem 18 echoes her willingness finally to reveal her love in the introductory 13". [14] The poems appear in the Corpus Tibullianum as poems 3.13 to 3.18.
Although the poem (given Cornelia's connection to Augustus' family) was most likely an imperial commission, its dignity, nobility, and pathos have led critics to call it the "queen of the elegies", and it is commonly considered the best in the collection.
While Carole E. Newlands wrote in 1995 that the poem had suffered by comparison with other works of Ovid, [13] Fasti has since come to be "widely acclaimed as the final masterwork of the poet from Sulmo." [14] One of the chief concerns that has occupied readers of the poem is its political message and its relationship with the Augustan ...