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Typhoon Yagi, known in the Philippines as Severe Tropical Storm Enteng and in Vietnam as Typhoon No. 3 of 2024 (Vietnamese: Bão số 3 năm 2024), was a deadly and extremely destructive tropical cyclone which impacted Southeast Asia and South China in early September 2024.
"We Are the Suns of the Gold Coast Sky" [4] Original: 2010: Rosco Elliott Greater Western Sydney "There's A Big Big Sound" [5] "Arabian riff" 2012: Harry Angus: Hawthorn "The Mighty Fighting Hawks" (also known as "We're A Happy Team at Hawthorn") "The Yankee Doodle Boy" c. 1956: Club version by Chic Lander (based on 1911 composition by George M ...
Enteng Kabisote 10 and the Abangers is a 2016 Filipino superhero fantasy and comedy film, as the tenth and last film installment of the film adaptation of the Filipino television sitcom Okay Ka, Fairy Ko!. The film was announced in August 2016 with Marlon N. Rivera and Tony Y. Reyes attached as directors.
Growing Pains ("As Long As We Got Each Other") – lyrics by John Bettis and Steve Dorff B. J. Thomas (season 1 solo) with Jennifer Warnes (seasons 2–7) and Dusty Springfield (season 4), Joe Chemay, Jim Haas, Jon Joyce and George Merrill (season 6, part of 7, and the series finale)
The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. [44] These are called inversions.
Since these four chords are played as an ostinato, the band also used a vi–IV–I–V, usually from the song "Save Tonight" to the song "Torn". The band played the song in the key of D (E in the live performances on YouTube ), so the progression they used is D–A–Bm–G (E, B, C#m, A on the live performances).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]