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Cannonball Musical Instruments first began as a saxophone manufacturer. Cannonball saxophones in current production are student Alcazar, intermediate Sceptyr, and professional Big Bell Stone Series, Vintage Series, and Key Artist Series models, [4] are made in a variety of finishes including The Brute (aged brass), Raven (iced black), Mad Meg (bare brass), and Hotspur (iced black and iced silver).
Albright plays a professional Big Bell Stone Signature Series model of saxophone made by Cannonball Musical Instruments.Of the two necks that are furnished with the Cannonball saxophones, he usually uses the "Fat Neck" with the octave vent tube on the bottom of the neck, a design similar to some vintage Conn 6M models.On mouthpieces, he uses a Beechler Diamond on alto with Silverstein Hexa ...
The Allmusic review by Richard S. Ginell awarded the album 3½ stars and states: "Cannonball was a populist at heart, and his generosity of spirit shines through this often deliciously diverse album, which ranges wildly from flat-out soul to Brazilian music to a cautious toedip into the avant-garde.... This is a fascinating contemporary ...
The new quintet, which later became the Cannonball Adderley Sextet, and Cannonball's other combos and groups, included such noted musicians as saxophonists Charles Lloyd and Yusef Lateef, pianists Bobby Timmons, Barry Harris, Victor Feldman, Joe Zawinul, Hal Galper, Michael Wolff, and George Duke, bassists Ray Brown, Sam Jones, Walter Booker ...
His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. [3] When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee [4] and in amateur gigs around the area.
Birch began playing the alto saxophone and mirroring the styles of Paul Desmond and Cannonball Adderley. Around seventh grade, he tried the electric bass because of his fascination with the Motown sound, and groups like Chicago and Blood, Sweat, and Tears. He began playing on his junior-high band director's Mosrite bass at lunch breaks.