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Smash, as well as the CD singles "Come Out and Play," "Self Esteem," and "Gotta Get Away" all share imagery of an X-ray style skeleton on their covers. Smash, as well as the singles "Come Out and Play", "Self Esteem", and "Gotta Get Away" have a common artwork theme: an ominous (and highly distorted) skeleton on the cover, disc, and back of the ...
The song has two single covers. The first, the cover for the CD single, depicts a skeleton in the same style as the previous singles from Smash: "Come Out and Play" and "Self Esteem". The second, the cover for the 7-inch vinyl, shows the actor from the video standing outside the coliseum, his eyes covered by the song title.
In April 1994, The Offspring released Smash. At the time, Ignition had sold only 15,000 copies. Smash was a critically acclaimed album, also the band's most successful yet. Debuting at number four on the Billboard 200, Smash produced three hit singles: "Come Out and Play", "Self Esteem" and "Gotta Get Away". The album was certified 6 times ...
With five words, The Offspring created one of the most memorable moments of the 1990s. “Come Out and Play,” the lead single from the band’s 1994 album, Smash, helped usher in a golden age of ...
Recording on and off over 20 days in January and February 1994, the band from Garden Grove put together the record that would change the trajectory of its career.
The Offspring are back with their 11th studio album. In our interview, singer Dexter Holland and guitarist Noodles break down 'Supercharged.'
"Self Esteem" is a song by American punk rock band the Offspring. It is the eighth track and second single from their third studio album, Smash (1994). The song was released on 22 December 1994 by Epitaph and was a worldwide hit, reaching number one in Iceland, Norway, Latvia and Sweden.
The album's cover art features a blond boy with an orthopedic boot seated on a swing holding a sand flea. From out of the frame, a tentacle reaches toward the boy. Kozik had originally done said illustration for a Nebraskan band, Ritual Device, and reused it as the cover of his book Man's Ruin: The Poster Art Of Frank Kozik. [20]