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Candy Dulfer (born 19 September 1969) is a Dutch jazz and pop saxophonist. She is the daughter of jazz saxophonist Hans Dulfer . She began playing at age six and founded her band Funky Stuff when she was fourteen.
Candy Dulfer performs the song with Chance Howard (vocals) during her concerts when the two are together. In 2018 the Fun Lovin' Criminals released their own version, which differs very much from the original, such as new lyrics.
Saxuality is the debut album by Dutch alto saxophonist Candy Dulfer.Some versions of the album include the worldwide hit single "Lily Was Here" with Dave Stewart.The mainly instrumental album debuted on No. 4 in the Dutch album chart and was certified Gold. [2]
The Ladies of Soul are a group of childhood-friends and sister-in-laws. have shared childhoods; Oosterhuis and Lewis were neighbours, Rombley, and Lewis became best friends and Oosterhuis and Dulfer were connected through relatives. They ended up pursuing careers in music and making guest appearances at each other's performances.
Candy Store is the ninth studio album by Dutch saxophonist Candy Dulfer.The album was released in 2007 by Heads Up and was produced by Dulfer and Dave Love. [2]Candy Store reached No. 2 on the Billboard magazine Top Contemporary Jazz chart. [3]
"Lily Was Here" is an instrumental duet by English musician David A. Stewart and Dutch saxophonist Candy Dulfer. It was released as a single in 1989 from the soundtrack of the same name for the Dutch movie De Kassière, also known by the English title Lily Was Here. The song reached number one in the Netherlands and became a top-twenty hit in ...
Guest artists were Candy Dulfer, John Lee Hooker, Junior Wells and Jimmy Witherspoon as well as Morrison's daughter, Shana Morrison. James Hunter and Brian Kennedy helped out with the vocals and Georgie Fame was also present. The June 2008 reissued and remastered version of the album contains a live take of the Morrison song "Cleaning Windows".
Big Girl is the third album by Dutch alto saxophonist Candy Dulfer. Before its release, she had been working mainly with Ulco Bed. But she was impressed by keyboard player Thomas Bank. This album marks the transition between the two producers and has a funkier style that tries to incorporate rap and hip hop into contemporary jazz.