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Heat transfer vinyl can be used to create special effects with its glitter, flocked, holographic, glow-in-the-dark, and 3D puff options. The layering of these types of vinyl is dependent on the type of vinyl used. Heat transfer vinyl, in sizes, ranges from small sheets to large "master" rolls, that can go up to 60" x 50 yards.
In contrast to Direct-to-garment (DTG) printing, in which designs are printed directly onto the garments, DTF employs a two-step process. [citation needed] The first step in the Direct-to-film (DTF) printing method involves initially printing the design onto a PET (Polyethylene Terephthalate) film and then applying an adhesive powder to the printed film.
The original Cricut machine has cutting mats of 150 mm × 300 mm (6 in × 12 in), the larger Cricut Explore allows mats of 300 mm × 300 mm, and 300 mm × 610 mm (12 in × 12 in, and 12 in × 24 in). The largest machine will produce letters from a 13 to 597 mm (0.5 to 23.5 in) high.
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Dry transfers (also called rub-ons or rubdowns) are decals that can be applied without the use of water or other solvent. The decal itself is on a backing material such as paper or plastic sheeting much like a transparency. The dry transfer is placed in the desired location with the backing side up.
Straight dough is a single-mix process of making bread. The dough is made from all fresh ingredients, and they are all placed together and combined in one kneading or mixing session. After mixing, a bulk fermentation [1] rest of about 1 hour or longer occurs before division. [2] It is also called the direct dough method. [3] [4]
Dough is compressed between two or more rotating rollers. [1] When done the right way, a smooth and consistent dough sheet is produced. The dough then passes one or several gauging rollers (mostly on conveyors) that reduce the dough to the required thickness. After this the dough sheet is shaped into a desired dough product.
A small number of direct-to-disc albums continue to be recorded and released in the 2020s. [2] To make a direct-to-disc recording, musicians would typically play one 15-minute "live" set in a recording studio per LP side using professional audio equipment. The recording was made without multitrack recording and without overdubs.
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