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The post The 25 Best, Most Iconic Short Stories of All Time appeared first on Reader's Digest. Indisputable proof that good things come in small packages! These powerful short stories will stay ...
"Ripples in the Dirac Sea" won the Nebula Award for Best Short Story of 1988, [1] and was a finalist for the 1989 Hugo Award for Best Short Story. [2] In the Washington Post, Tim Sullivan called it "excellent", [3] similarly, at Strange Horizons, Paul Kincaid declared that its presence in an anthology was "a harbinger of the very good things to come".
Coventry (short story) Robert A. Heinlein: Analog Science Fiction: 1940 Critical Factor: Hal Clement: Star Science Fiction Stories No.2: 1953 Critical Mass (Arthur C. Clarke short story) Arthur C. Clarke: Lilliput: 1949 Crouch End (short story) Stephen King: Cthulhu Mythos anthology: 1980 Crusade (short story) Arthur C. Clarke: The Wind from ...
This is a collection of science fiction novels, comic books, films, television series and video games that take place either partially or primarily underwater. They prominently feature maritime and underwater environments , or other underwater aspects from the nautical fiction genre, as in Jules Verne 's classic 1870 novel Twenty Thousand ...
Good Women, by Halle Hill In these edgy stories set in Appalachia and the Deep South, Black women face the full monty of modern life—weirdo predators, bogus jobs, ill-fated pregnancies, the ...
Pages in category "Hugo Award for Best Short Story–winning works" The following 64 pages are in this category, out of 64 total. This list may not reflect recent changes .
"Or All the Seas with Oysters" is a science fiction short story by American writer Avram Davidson. It first appeared in the May 1958 issue of Galaxy Science Fiction and won the Hugo Award for Best Short Story in 1958. [1] One of Davidson's best-known stories, it has been anthologized or collected more than a dozen times.
The film earned a 100% "Fresh" rating from 12 positive reviews on Rotten Tomatoes. John Anderson of Variety wrote "the science seems sound and the story is exciting", and found it superior to 3D films that merely use the extra dimension as a gimmick. [2] Matt Seitz of The New York Times was impressed by the digital spectacle. [3]