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Chinese knotting (中國結) is a decorative handicraft art that began as a form of Chinese folk art in the Tang and Song dynasty [1] (AD 960–1279) in China. It was later popularized in the Ming. The art is also referred to as Chinese traditional decorative knots. [2] One of the more traditional art forms, it creates decorative knot patterns.
This reflects the tradition of Chinese folk art with commercial intent, sold to ordinary households for New Year festivities. [3] Wang Junfu's Ten Thousand Nations Coming to Pay Tribute (萬國來朝圖) also depicts various foreign countries visiting the Imperial court, but in a rather grotesque manner.
Different forms of art have been influenced by great philosophers, teachers, religious figures and even political leaders. The arrival of Buddhism and modern Western influence produced especially large changes. Chinese art encompasses fine arts, folk arts and performance arts. Ming dynasty Xuande mark and period (1426–35) imperial blue and ...
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
Fengxiang clay sculpture is a folk art form from Liuying village, Fengxiang County, Baoji city, Shaanxi Province. It is called “Ni Huo” by local people. In 2006, the art form was added to China's intangible culture list, and is protected a such. [1] The sculptures are often sold in markets around the lunar New Year.