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"Loser" is a single by American musician Beck. It was written by Beck and record producer Carl Stephenson, who both produced the song with Tom Rothrock. "Loser" was initially released as Beck's second single by independent record label Bong Load Custom Records on 12-inch vinyl format with catalog number BL5 on March 8, 1993.
In 2017, BuzzFeed ranked it number 46 in their "The 101 Greatest Dance Songs of the '90s". [31] In 2019, Billboard ranked "Here Comes the Hotstepper" number 126 in their list of "Billboard ' s Top Songs of the '90s". [32] Time Out ranked it number 67 in their "The 100 Best Party Songs Ever Made" in July 2023. [33]
There are many things that define a ‘90s kid, including a love for Disney Channel Original Movies and a Beanie Babies collection. But at the holidays, a ‘90s baby can be spotted when they ...
"80s Mercedes" is a song recorded by American country music singer Maren Morris. [2] It was released in June 2016 as her second single. She co-wrote and co-produced the song with busbee during a session where they traded ideas about its title and the numerous influences from that era. "80s Mercedes" peaked at numbers 11 and 12 on both the Billboard Hot Country Songs and Country Airplay charts ...
Lulu would later opine of Atlantic Record honchos Jerry Wexler, Tom Dowd and Arif Mardin, the producers of her album New Routes: "I don't think they knew what to do with me, and the only big hit I got [off the album] was a song that I [brought in] with me" [1] - referring to "Oh Me Oh My ...", which had been written by Jim Doris who – as Jimmy Doris – had been vocalist-guitarist for the ...
The 1980s were a wild time for music. From rock 'n' roll hair bands to the debut of Whitney Houston and the launch of a little-known network named MTV, there was no shortage of history-making ...
You're fondly remembering '90s brands. Even looking at a choker makes you, well, choke up. If you're of a certain age (that is, my age), there is also a bracket of pop songs that defined the ...
I'm the one who had your babies", in reference to African-American maids raising white children for little pay, came from a live version, whereas the "ging, gi-gi-gi-gi-ging..." sample repeated throughout the song is the scat portion of the original song's refrain. [9] Shaw had the following to say about it: