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The Waltons is an American historical drama television series about a family in rural mountainous Western Virginia of the Appalachian Mountains / Allegheny Mountains / Blue Ridge Mountains chain, during the economic hardships and mass unemployment of the era of the Great Depression of the 1930s and subsequent wartime homefront of World War II of the early 1940s.
This first Walton child is known throughout the series as "John-Boy," is born in 1916 (according to the television show's chronology), and is the eldest son and child of Olivia Walton (née Daly) and John Walton Sr. John-Boy is based on creator / author Earl Hamner Jr (1923–2016), who narrates the opening and closing of each episode as the ...
Richard Thomas as John-Boy Walton; Ralph Waite as John Walton, Sr. Michael Learned as Olivia Walton; Ellen Corby as Esther Walton; Will Geer as Zebulon "Zeb" Walton; Judy Norton as Mary Ellen Walton; Jon Walmsley as Jason Walton; Mary Beth McDonough as Erin Walton; Eric Scott as Ben Walton; David W. Harper as Jim-Bob Walton; Kami Cotler as ...
Twenty years earlier, they starred in the 1943 war drama film Immortal Sergeant (set in the then current Second World War's North African invasion and campaign) and then, ten years after the making of Spencer's Mountain, they played the leads again in the 1973 made-for-television film adaptation of The Red Pony, taken from famous author John ...
Vincent Canby of The New York Times was not impressed: "The first film, directed by Larry Peerce, who also directed the spinoff, was a slickly prefabricated bathtub of movie sentimentality, at the heart of which was a gallant young woman facing real handicaps. 'Part II' is really a 30-minute postscript to that story, blown up to feature-length ...
Jeff Bridges is on the run and out for blood in the first trailer for “The Old Man,” the new FX drama series premiering June 16. Based on Thomas Perry’s 2017 thriller novel of the same name ...
The film earned North American theatrical rentals of $8.2 million. [6] Vincent Canby of The New York Times said: "The life came first, but the movie seems to have less interest in Miss Kinmont than in the devices of romantic fiction that reduce particularity of feeling to a sure-fire formula designed to elicit sentimental purposes. If you go to ...
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