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The concept of 'cultural landscapes' can be found in the European tradition of landscape painting. [2] From the 16th century onwards, many European artists painted landscapes in favor of people, diminishing the people in their paintings to figures subsumed within broader, regionally specific landscapes.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Landscape with the Burial of St Serapia; Landscape with the Fall of Icarus (de Momper) Landscape with the Finding of Moses; Landscape with the Good Samaritan; Landscape with the Port of Santa Marinella; Landscape with the Temptation of Christ; Landscape with the Temptation of St Anthony (Lorrain) Landscape with the Temptation of St Anthony (Savery)
The cultural landscape is fashioned from a natural landscape by a cultural group. Culture is the agent, the natural area is the medium, the cultural landscape is the result. A cultural landscape, as defined by the World Heritage Committee, is the "cultural properties [that] represent the combined works of nature and of man." [43]
Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art of shan shui, like many other styles of Chinese painting has a strong reference to Taoism/Daoism imagery and motifs, [5] as symbolisms of Taoism strongly influenced "Chinese landscape painting". [5]
According to UNESCO, the oldest art in the World Heritage Site is from 8,000 BC, and the most recent examples from around 3500 BC. The art therefore spans a period of cultural change. It reflects the life of people using primarily hunter-gatherer economic systems, "who gradually incorporated Neolithic elements into their cultural baggage". [2]