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Holy Trinity Church, St. Christopher House and Parsonage, Manhattan, New York City Holy Trinity Roman Catholic Church Complex (Niagara Falls, New York) Church of the Holy Trinity (Hertford, North Carolina)
The fraternity ultimately razed the decrepit church, and the first stone for the present church was laid on February 26, 1587. The consecration took place on June 12, 1616 and the church was titled initially Santissima Trinità e San Benedetto. In subsequent centuries the parish and adjacent buildings continued to serve as a hospice for ...
The Pala delle Convertite or The Trinity with Saints Mary Magdalen and John the Baptist, (the museum's name) or Holy Trinity, is an altarpiece by the Italian Renaissance painter Sandro Botticelli and his workshop, traditionally dated to c. 1491–1493.
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Santa Trinita is both a parish church and the monastic church of the Vallombrosan monastery of the same name. [2] Multiple reconstructions occurred over the centuries. The Mannerist façade (1593–1594) was designed by Bernardo Buontalenti. The bas-relief over the central door of the trinity was sculpted by Pietro Bernini and Giovanni Battista ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The parish church is dedicated to the Holy Trinity and known as the "Cathedral of the Marshes". [3] Blythburgh was one of the earliest Christian sites in East Anglia.There was a church there in 654 to which the bodies of the East Anglian king Anna and his son Jurmin, descendants of King Wehha, were brought after their deaths in battle at Bulcamp with the Mercian King Penda.
The Seven Sacraments Altarpiece is a fixed-wing triptych by the Early Netherlandish artist Rogier van der Weyden and his workshop. It was painted from 1445 to 1450, probably for a church in Poligny (Max J. Friedländer claimed that it was commissioned by the Bishop Jean Chevrot), [1] and is now in the Royal Museum of Fine Arts, Antwerp.