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The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
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Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
The painting is the example of pahari painting used in Gardner's Art Through the Ages, which states: [3] In Krishna and Radha in a Pavilion, the lovers sit on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gazes directly into Radha's face. Radha shyly averts her gaze.