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Uploaded a work by scores:Friedrich Chopin's Werke (Chopin, Frédéric) from scores:Variations on 'Là ci darem la mano', Op.2 (Chopin, Frédéric) with UploadWizard File usage The following page uses this file:
Piano Library: Frédéric Chopin Complete list of Chopin piano works with musical extracts, difficulty ratings and recommended editions. The Chopin Project has more information, links, resources, and audio on demand of Chopin's solo keyboard works. PDF Sheet Music from the Mutopia Project
The manuscript, measuring 130 by 102 millimetres (5.1 in × 4.0 in), was discovered by museum staff in 2019, during the cataloguing of a bequest by Arthur Satz, who had purchased it from the wife of amateur pianist and former director of the New York School of Interior Design Augustus Sherrill Whiton Jr.
The National Edition of the Works of Fryderyk Chopin (Polish: Wydanie Narodowe Dzieł Fryderyka Chopina), also known as the Chopin National Edition and the Polish National Edition, is an urtext edition of the complete works by Frédéric Chopin, aiming to present his output in its authentic form.
This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), Józef Michał Chomiński (A, C, D, E, P, S), and the Chopin National Edition (WN). The last opus number Chopin used was 65, that allocated to the Cello Sonata in G ...
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The manuscript, measuring 130 by 102 millimetres (5.1 in × 4.0 in), was discovered by museum staff in 2019, during cataloguing of a bequest by Arthur Satz, who had purchased it from the wife of amateur pianist and former director of the New York School of Interior Design Augustus Sherrill Whiton Jr. [2] [3] Written in brown iron gall ink on machine-made wove paper that is somewhat yellower ...
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.